In its latest incarnation, creative director David Gray and his team have maintained Out’s sexy, intelligent voice. We supplied pre-release versions of Jubilat for this redesign, which is complemented by Freight and Mario Feliciano’s Rongel in text.

This small project kicked off our expanded features for Freight. The Boston Globe Magazine commissioned fractions for the entire Freight series, which pushed us to contemplate a favorite typographic kōan: kerning the 7 / 4 fraction triplet. This magazine is printed using the gravure process, which considerably softens the hairlines of Freight Big — the Display steps in where appropriate.

Cookie was among our first magazine projects, in late 2005. In addition to an invisible redesign of a nameplate which had tested well in focus groups, we contributed a proprietary system of display numerals for folios, supplemented by Freight Text and Freight Sans, providing a crisp counterpoint to the vivid photos toward the front of the book, and a quiet imperative to info-heavy listings and service pages.

Kirby Rodriguez & Alex Grossman pushed Freight Sans to its limits; a few months after the launch, they commissioned the Semibold and Hairline weights for four-color knockouts and fine display, respectively.