F.A.Q. & Info
Standard Font License
The standard license for this font covers a precise number of computers, and permits embedding in PDFs for sending to clients and service bureaus. See our End User License Agreement for details.
How To OrderCorundum™ Text may be licensed at this website using MasterCard, VISA, or American Express. If you'd prefer human interaction, or would like to arrange payment via wire transfer or check, please contact our office.Birra may be licensed at this website for free. Please be prepared to enter your contact information and a valid email address. Delivery of the font will be completed by download using a link emailed to you from the address "firstname.lastname@example.org". Please make sure that you grant this address any required permissions in your spam filter.Freight may be licensed by contacting Ralph Smith at Phil's Fonts. His contact information follows:
Phil's Fonts, Inc.
P.O. Box 247
Sandy Spring, MD 20860
www.philsfonts.com / www.garagefonts.com
About this Typeface
Production assistance by Thomas Jockin, Scott Kellum, David Fusilier, Noam Berg, Lucas Sharp, Lisette Kelmanson
In the late 18th century, baroque flourishes gradually gave way to stark rationalism. This period saw some of the greatest practitioners of the balance of beauty and function, among them Pierre-Simon Fournier.
Corundum Text’s twelve alphabetic styles are complemented by 50 pictographic symbols from Fournier’s Manuel Typographique, including lunar, planetary, zodiac, and indication symbols (fists, arrows, &c.)
Expanding upon the utility of Fournier’s designs for prose and poetry, Corundum Text includes two heavier weights, each with a fully-equipped arsenal of italics and small capitals, suitable for subtle, immersive text settings or robust display with a literary touch.
Based on the middle sizes of Fournier’s body of work, Corundum Text’s generous capitals and strong color on the page mark it unequivocally as a text face in the Neoclassic style: when stripped of its letterpress veneer, a quiet, crisp brilliance emerges. The italics demand special attention in this regard: hailed by historian Harry Carter as ‘the most legible … of all’, they were among the first to merge the undulous line of handwritten Italics with the broken strokes of the roman, an innovation which is now a standard practice in the design of typefaces for legibility.