The former can be distinguished from the natural stone; but the latter, in that the crystals synthesized have the
A toothsome historical revival, capturing the warm rationality of the late 1700s.
An oldstyle slab serif typeface in six weights, inspired by Classical period handicraft.
Readings are followed by 20 minutes of Q&A
A mélange of time-honored historical styles, commissioned by periodicals.
An aggressively flavorful display face evoking both historical and contemporary sensibilities.
The snag I always come up against when I’m telling a story is this dashed difficult problem of where to begin it. I mean, if you fool about too long at the start, to establish atmosphere, as they call it, and all that sort of rot, you fail to grip and the customers walk out on you.
“And how did Lady Brandon describe this wonderful young man?” asked his companion. “I know she goes in for giving a rapid precis of all her guests. I remember her bringing me up to a truculent and red-faced old gentleman covered all over with orders and ribbons, and hissing into my ear, in a tragic whisper which must have been perfectly audible to everybody in the room, the most astounding details. I simply fled. I like to find out people for myself. But Lady Brandon treats her guests exactly as an auctioneer treats his goods. She either explains them entirely aware, or tells one everything about them except what one wants to know.”
A spritely and remarkably agile micro. Lucid in small sizes, with a pleasing sting when rendered big.
The snag I always come up against when I'm telling a story is this dashed difficult problem of where to begin it. It's a thing you don't want to go wrong over, because one false step and you're sunk. I mean, if you fool about too long at the start, trying to establish atmosphere, as they call it, and all that sort of rot, you fail to grip and the customers walk out on you.
Success comes to a writer as a rule, so gradually that it is always a shock to him to look back and realize the